Edward Price

Editor’s note: The yearly Rezzed event run by Eurogamer.net is a great way for indie developers to showcase their games. One title we got to look at was Kenshi, an open-world RPG with a map that reaches over 870km² and a new danger seemingly lurking around every corner. After initally getting absolutely wiped out within minutes of starting, we discovered that this isn’t like most titles around. Kenshi requires strategy, wits, and leadership skills. How did you become a game developer and end up working on Kenshi? I started about ten years ago, self taught, and just decided to start making it from scratch. The first version of the game was made completely single-handedly. It looked a lot rougher due to this – it was a lot smaller and less complete. I got it alpha-funded. So, before Steam Greenlight I started releasing and selling it...

The yearly Rezzed event run by Eurogamer.net is an absolutely fantastic way for indie developers to display their games and get them noticed. One such title on display this year was Disco Elysium, an amazingly inventive and constantly hilarious open-world RPG where you play as a policeman and seemingly every choice you make can change how the game is played. I spoke to Robert Kurvitz, lead writer and designer of Disco Elysium, about creating a world with so many choices, the consequences of doing so, and the ability to wear cool hats. Disco Elysium is an absolutely incredible game, where did you get the idea from initially? We were at a really dark moment in our lives, there were a lot of people who were, I was personally at a dark moment in my life. So, my executive producer came...

Ahead of the release of Idle Factory Tycoon, I spoke to Nate Barker, Director of Business Development at Fluffy Fairy Games, about the history of the studio, what makes the genre of Idle Games so appealing, and the company’s future aspirations of becoming the Supercell of the genre. Can you tell us about your journey to Fluffy Fairy Games? How did you end up working there? I was at Casual Connect in Berlin in February 2017 working for a live-ops company in the social good space. During a Happy Hour, I happened to sit down with a few folks from Fluffy Fairy Games, not realizing who they were. The next day, I had made the terrible choice of a morning appointment (always a bad decision during a conference), and it happened to be with the same two people who I...

We spoke to Paul Lawitzki about making a community from unlikely places, maintaining a healthy work culture and knowing when it’s okay to put that project on hold, and creating a good company in their upcoming title Good Company, a charming 80s pastiche that sees you creating your own robot manufacturing empire. We did not talk about Skynet.  What is your role in the team, and how did you end up working at Chasing Carrots? I’m programmer and lead game designer at Chasing Carrots. Formally, my employment started in April 2017, but I’ve known the team for much longer; I worked here as a freelance programmer and project lead on Pressure Overdrive for more than two years before my permanent employment. [bctt tweet=”How do you create a community, maintain a healthy work culture, and know when it’s okay to put...

Located within the Copenhagen branch of GameAnalytics is our GameHub, where anyone can come and use the space in order to develop and grow their games. One such group of developers are frecle, who are about to release Youropa, a title ten years in the making. We caught up with them before the launch of the long-coming game… What is Youropa? When Youropa is torn apart by a mysterious force, you must use your unique wall walking ability to navigate a strange fragmented city, restore it to former glory and learn who you really are. Youropa is a gravity defying platform puzzle adventure about breaking rules, being upside down and thinking outside the box. The game comes with a full single player campaign, character, level and map designer. It’s out on Steam in Spring 2018. [bctt tweet=”There’s nothing you can’t...

After 2 years at Shoryuken and attendance at countless fighting game tournaments, I spoke to Fighting Game Community expert Keegan Spindler about the difficulties of adapting the genre to mobile, the fine line microtransactions have to take to make competition viable, and his tips on how being open with the community can help it grow around you.  Can you give us a little background on your role and what it is you do now? I was the Features Editor for Shoryuken. About 12 months ago we looked at our numbers and realised that by staying as a news network, we weren’t keeping up with things like social media. So my job role evolved as we realised the need to create higher quality, bespoke long-form work around fighting games and the community. I’ve stepped down a bit as I’m about to...

Ric Cowley has been working at SteelMedia for nearly 3 years, and has recently been promoted to the role of Editor at PocketGamer.co.uk. We spoke to him about the biggest trends in mobile games, what he enjoys as a consumer, how to get your games noticed by the press, and the overwhelming prevalence of games like Clash Royale. Ric, tell us, how did you get into mobile games? I initially started out at PocketGamer.co.uk as an intern for three months, then I was hired as a freelancer for PocketGamer.biz, and then when a job came up after 2 months of doing that, I was hired as a full-time staff writer, and then have worked my way up from there to the role of Deputy Editor of PocketGamer.biz. Now I’m the Editor of PocketGamer.co.uk! What would you say is one of...

Editor’s Note: After our previous interview with FRVR back in 2017, we want to catch back up with founder Chris Benjaminsen to see how the company has grown, what changes have applied to the structure of his company, and what his plans were for FRVR in 2018 and beyond.  So, what have you been up to since we last spoke to you? [Laughs] That’s a big question – quite a lot! The company is very different from where it was last time – my memory is not perfect, and I can’t pinpoint where we were then. However, to give you an update, we are nine people now. The 9th person just joined the company, we do around 2 million DAU daily, and about 30 million monthly, which I think is not too far off from where we were last time....